The notion of theatrical frame is used with reference to the short parts into which a work can be divided.
The concept of theatrical painting usually alludes to those scenes that take place without changing the scenery; its ending is characterized by the fact that the stage is empty for a moment, and because it indicates that the course of action is interrupted, either temporally or spatially.
A theatrical tableau is a short part of a play.
Beginning and ending of a theatrical tableau
Stage modifications generally mark the beginning and end of a theatrical frame. The end of these frames can also imply that the action is interrupted spatially or temporarily, leaving the stage empty for a few moments. This means that, sometimes, a change of scenery is not necessary for a theatrical picture to conclude.
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The theatrical picture can be understood as a representation of a short-lived event. At present, the frame is the structure that is most used, and its main characteristic is that it is an independent unit from the others; each one has its own beginning, middle and end, so there can be more than one scene in it.
Given the characteristics of today’s life, which takes us frantically from one activity to another, without time or space to make real decisions, since they have all been made by those who impose fashions, it is easy to understand the appeal of the theatrical tableau in instead of a much more extensive and complex composition. We are in an era that seeks satisfaction and content in small portions, which can be consumed as we begin to get up and move to our next station.
Theatrical pictures represent events of short duration.
Progression and unity
It is important to note that it is possible to relate more than one table from a thematic point of view without there being a linear progression. They are considered non-Aristotelian structures because they do not have to obey the “unity” patterns, but it is possible to present them with variables of order.
Precisely, the aritotelic units are rules belonging to the field of literature, which were specifically designed for use in dramaturgy, although their scope goes further and encompasses art in general in the form of theory and aesthetic criteria, with the aim of achieving in the works a unitary character.
During the Spanish Golden Age, a stage in which literature and art in general flourished considerably, the theatrical tableau was often known by the name of scene.
From theatrical painting to the act
The paintings, in turn, constitute the acts, which are the main parts of a work. In the acts, the narrative structure plays a fundamental role, according to which a problem is posed, the characters are presented and then the conflictive situations that prevent their objectives are developed, to finally lead to the denouement, in which they are not always resolved.
Plays, in short, are made up of acts, while acts are made up of pictures or scenes. Viewers perceive the plot as a unit, as a whole, beyond these subdivisions.
Description of customs
It is known as a table of customs, on the other hand, an article written in prose that offers a description of values, habits and behaviors that are common to a social class, a geographical region or a trade.
The Spaniards Serafín Estébanez Calderón and Mariano José de Larra are some of the most famous authors of customs paintings. Articles of this type are usually collected in anthologies that provide numerous data of interest to sociology since they describe how people lived in a certain historical period.
According to the dictionary of the Royal Spanish Academy ( RAE ), finally, the set of performers who, in a show, remain static in front of the spectators during certain moments is also called a group.